Physical Media

by | Jul 2, 2026 | news

Table top filled with Polaroid integral film pictures of the Star Wars Galaxy's Edge themed land in Disney's Hollywood Studios.

In a world of digital, real products, real film, physical media, continues to stand out. Like playing a vinyl record there is a visceral, emotional connection to the physical media that is tactile and ignites the senses. The ability to hold a piece in your hands, or hear the hum of and pop of a stylus across the vinyl, and smell the materials used in production is an oft-forgotten luxury in our digital world. Going analogue, is punk for today. 

Polaroid films hold a special place for that sensation. When my oldest was a middle-schooler, I let her take a Polaroid camera to class and take pictures of all her mates for a school project. Almost everyone of those kids had never seen a film camera before let alone an instant film camera. They were mesmerized and giddy that they each got to have their very own picture, developed in front of their eyes, to take home with them. 

Part of the EPCOT International Flower and Garden Festival is this wonderful Chinese Dragon sitting in the pond in front of the China Pavilion on World Showcase Lagoon in EPCOT.

Instant film photography continues to have that magical effect on me, so many years into my career as a creative professional. Capturing an instant, a slice of the world, and seeing it in pictures only moments later; albeit longer than the original Polaroid films, but still…

Polaroid integral film concept using a traditional 600/SX-70 film frame with the image of The Mandalorian and Grogu breaking out of the picture frame.

Certainly, there are limits to instant films but that is what makes art a statement – working within those constraints and finding a way to break out of them when necessary. Sometimes, you have to think bigger when you are trying to capture the essence of a place, a person, or a theme. 

Polaroid integral film concept using a traditional 600/SX-70 film frame with the image of Mickey Mouse from the top of the Crossroads Tower at Disney's Hollywood Studios breaking out of the top of the frame. Behind it is a band of colors, derived from Mickey Mouse, descending from the top of the image to the bottom.

Ultimately, however, the ability to break out of those constraints entirely and use that still image as a basis for a larger piece to capture a thought or vision for your viewer may be necessary. 

Polaroid integral film collage of the Slinky Dog Rollercoaster at Disney's Hollywood Studios. It is comprised of 3 Polaroid prints from the left: Slinky Dog coaster filled with people riding across the track, Jesse is in the middle holding a string of large bulb Christmas lights that extend to the right image of Rex sitting atop a wobbly Jenga tower holding the onto the same string of bulbs.

I have used traditional mediums (e.g. film, pencil, pastels, etc.) all my life. In university, I began to integrate the burgeoning MacOS into my Artbin. I have never stopped using the tools and techniques I felt necessary to convey the statements I try to make with my work. More often than not, those techniques cross the digital divide in order to come up with a final piece that makes the statement or answers the question being asked. 

If you have a project you would like to discuss that requires a broad understanding of the industry and some great ways to connect with our customers, please contact us. 

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